Sometimes, I have the impulse to write something profound on this blog, but now, now is not one of those times. Now is the time I want to talk about music and webmagic so here goes with a self-indulgent slurry of the sweet things the web (GL or otherwise) has served me of late. I want to reference a recent Google adventure as well as an upcoming radio program I’ve been daydreaming of late. For visual interest, I’m going to spill some surrealism all over this with a bit of themed imagery, some daydreamy AV to dew drop drizzle on your day.
The title of this post appropriately sweeps all of those topics under some semblance of unity. I work a lot in chrome, that is, chrome before it was Chrome™. I work a lot in browsers (chromes) now, and as a chem T.A. at an art school, I worked loads with chrom-ium based pigments. It’s a pretty colorful element, chromium, with a Greek root it couples with a variety of suffixes to produce “colorful” adjectives, band names, among other references. Hello, Chromeo, the Chromatics, Sonichrome (honey, please is a swoonworthy track in my brain), and what about the Chromes on It, Telepathe remix? But that’s not the “Chrome” I’m talking about. The chrome I’m talking about is a browser window, and has become the property of Google projects for some time. Though perhaps not obvious now, the reason I digress with all of these references and etymological diversions, is, in part, to preface a discussion of some totally rad google projects, and in part to introduce a semantic web approach to music that I’m packaging as a radio show come Fall 2013.
< suspense >
Firstly, let’s shed some light on the Google stuff and then on to the open source.
A few weeks ago, I had the pleasure to beta-test a pretty rad application out of Google’s Data Arts dept. (thanks, Aaron * waves *). Entitled “This Exquisite Forest,” the experiment is a collab webproject where you plant an animated image and watch it grow through a system of crowdsourced contributions that branch from your budding idea (apologies for the extended puns, it is my way). It’s been clocked as a kind of version control for images, that transforms the surrealists’ exquisite corpse drawings into a digital project. Under the username “puddingmaster,” I started an 8-frame animation of a staircase, that was transformed by 5 other users into games of tetris, portraits, and geometric puzzles. It’s pretty cool, and now that it’s public, I feel comfortable gushing about how awesome it is.
Finally there is a weboutlet for my surrealist obsessions and it doesn’t involve youtube or remixes of Luis Buñuel films (nb: the surrealist echo in the featured “cachée dans la forêt” piece above). Most of the animations are pretty impressive in the forest, from DMirada’s enigmatic amoebas called “Evolving,” to RaquibShaw’s rather screensaver-stunning “Forgotten gardens of Xanadu,” the trees range in level of contribution and complexity. But pretty much everyone outdoes my stick-figure staircase and I still scored 4 branches and a rebase (WHAAT? Yes).
In addition to animations, you can author your own musical track to accompany the 8-frame image playback, and this feature seemed to correlate brilliantly with some other online obsessions of mine, that have been incubating for a while.
Of late, I’ve been messing around with Chrome’s WebLab Orchestra, which I highly recommend. And the old-school audio cassette on Tympanus allows for some distracting play in html 5. I remember when the Sembeo Sound matrix was my go-to distraction in Flash, reminding me a lot of some incredibox.fr experiments I was running a few years ago. When I started guesting on a radio show in college, I remember thinking how cool it would be to automate call-in requests, allowing people to compose music with keypad menu selection, or at least to select genres and then create collab broadcasts, exquisite-corpse their way through a show, if you will. With all the music genome projects live of late, it seems we have an internet radio infrastructure that people can sample and curate and collaborate without any particular knowledge of how all of these connections and html 5 elements integrate. The internet and its architects give us the instruments, and all we have to do is google moog our way to play.
Title Part II: Radio DayDreams
And all of this music segues somewhat into a project I’m working on for the Fall. Inspired by my continued fascination with the semantic web, I’m starting a semweb radio series at Pratt Institute when the new semester kickstarts. It’s called Stereo Semantics and the premise pretty simple. I start with a song, I close with it’s cover, I stitch together the six degrees that separate the two. I’ll be uploading archived episodes to the site along with a RelFinder map connecting the first song to the last, possibly with comments; ultimately I’d like to run my own musical Milgram experiments and see how it spreads. I’ve developed umpteen example playlists for this project, but I thought a shoutout to my daydreaming theme would suit this post. So, here goes….
A. Orchestral Manoeuvres in the ….
Orchestral Manoeuvres in the Dark have been a pretty solid substrate of my Pandora playlist library for a few years. I love the theatricality, the dancehall catchiness, the genre ambiguity and the science references. [Electricity: http://www.youtube.com/watch?v=Sq2vl99iIEc] I played OMD in an embarrassing amount of radio show broadcasts as a wee DJ on student radio…there’s something so relaxing for me about shoegaze and brit pop. They also have a song about dreaming, which has been covered by everything from glitch to ukulele online. I’d like to to find ways to connect those tracks, to show how this bass player transitioned to that band, and made music with this beat or this chord progression that you can also here in _this song. Soon the semweb will build these maps for me, beautifully. But there’s something to analog over algorithm, to assembling things manually in stitches of musical nostalgia; Stereo Semantics will tease out that idea.
B. …Dark Dark Dark
After SxSW, I had the pleasure of being introduced to Dark Dark Dark. Among many, many noteworthy others, they have a song called “DayDreaming” which I’ve captioned here:
- M83–Hurry Up, We’re Dreaming
- The Magnetic Fields–Asleep and Dreaming
- Chet Baker–Daydream
- Sonic Youth–Daydream Nation
- Themselves–Dark Sky Demo
- Kanye–Dark Fantasy
- Hot Chip–Made in the Dark
- Death Cab–I will follow you into the Dark
While I wouldn’t say I’ve progressed beyond the OMD/New Wave music of my more youthful days, I might admit that Dark Dark Dark is more of the hipster tunage that I sample since starting grad school. Sometimes the ridiculous melodrama of “chamber baroque folk music” makes me shudder, but often it just helps me wind down after a long day. I want to build a bridge between those two , and track a timeline of my musical trajectory over the past few years. SSemantics will be a kind of musical scrapbook, and I’m happy to take topic suggestions, or even, yes even call-ins (see my contact page if you think of something particularly rad). Stay tuned!
< / suspense >